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Stereo Width and Imaging Analyzer

Analyzes the stereo image of an audio file — how wide the sound is, whether it’s balanced, and how the energy is distributed between mid (center) and side (stereo) channels.

Parameters

Parameter Type Default Description
file_path string required Path to stereo audio file

Example Output

Illustrative summary; MCP responses use structured JSON.

$ analyze_stereo mix-bus.wav

Stereo Analysis Width: 0.72 Balance: +0.02 dB (centered) Mid/Side: 4.1 dB Correlation: 0.61

Panorama Distribution: Left: 26% Center: 48% Right: 26%

What the Numbers Mean

  • Width — The ratio of side RMS to mid RMS. Zero means no side signal; 1 means equal mid and side levels. It can exceed 1 and becomes very large when the channels cancel in the mid signal. Read it with correlation and audition the mono sum.

  • Balance — Pan offset from center, in dB. 0.0 dB = perfectly centered. Positive = right-heavy. Negative = left-heavy.

  • Mid/Side Ratio — Energy ratio between the mid (center, mono-compatible) and side (stereo difference) signal, in dB. Positive values mean mid energy dominates; 0 dB means mid and side carry equal energy; negative values mean side energy dominates. Reported as null when mid or side is absent; mid_side_state distinguishes pure_mid from pure_side.

  • Correlation — Similar to phase coherence but amplitude-weighted. 1.0 = mono. 0.0 = fully independent channels. Negative = out of phase. Values below 0.3 warrant checking mono compatibility.

  • Panorama Distribution — Percentage of analysis frames classified as panned left, center, or right, based on per-frame L/R energy balance. Uneven distribution (e.g., 70% left, 10% right) indicates panning imbalance.

Example Prompts

Width check

How wide is my mix? Analyze the stereo image of mix-v4.wav

Balance check

Is my mix balanced between left and right? Check stereo-bus.wav

Mono compatibility

Will this mix translate well to mono? Check the mid/side ratio and correlation

Pro tip

If your correlation is below 0.4 but the mix sounds fine in headphones, check it on a mono speaker (or sum to mono in your DAW). Wide mixes that rely on side information can collapse dramatically in mono — common in venues, TV, and phone speakers.